{"id":1091,"date":"2012-04-10T15:35:07","date_gmt":"2012-04-10T13:35:07","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1091"},"modified":"2022-10-20T21:37:24","modified_gmt":"2022-10-20T19:37:24","slug":"dots-de-norman-mclaren-1940","status":"publish","type":"post","link":"http:\/\/philippelanglois.net\/lcd\/?p=1091","title":{"rendered":"DOTS de Norman McLaren (1940)"},"content":{"rendered":"<p>Le texte et l&rsquo;extrait vid\u00e9o ci-apr\u00e8s documentent l&rsquo;ouvrage de Philippe Langlois, <a href=\"http:\/\/philippelanglois.net\/lcd\/?p=1004\"><em>Les cloches d&rsquo;Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d&rsquo;un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 1er trimestre 2012.<\/p>\n<p><img class=\"aligncenter\" src=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/MacLaren Dots 3.jpg\" alt=\"\" \/><\/p>\n<p>McLaren poursuit en 1941 ses exp\u00e9rimentations avec la technique des sons optiques en mod\u00e9lisant la musique de <em>Dots.<\/em> Ne poss\u00e9dant aucun budget pour enregistrer une musique instrumentale, il entreprend comme il l\u2019avait d\u00e9j\u00e0 exp\u00e9riment\u00e9 pour <em>Book Bargain<\/em> de \u00ab\u00a0peindre les sons\u00a0\u00bb (traits et formes minuscules) au pinceau et \u00e0 la plume directement sur la piste sonore de la pellicule. Cela lui permet de renouer avec ses aspirations de cin\u00e9aste d\u2019animation, alors qu\u2019il r\u00eavait de dominer toutes les phases de r\u00e9alisation du mat\u00e9riau cin\u00e9matographique.<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dots - Norman McLaren (1940)\" width=\"1600\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/SZFu0Kno7aw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Voir le documentaire de Norman McLaren <a href=\"http:\/\/philippelanglois.net\/lcd\/?p=1085\"><em>A la pointe de la plume<\/em><\/a> (1950) sur la technique de la peinture sonore sur pellicule<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film d&rsquo;animation qui explore les ressources de la peinture sonore sur pellicule<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[41,3,53,57,7,6,63],"tags":[11,19,135,12,29],"_links":{"self":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1091"}],"collection":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1091"}],"version-history":[{"count":7,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1091\/revisions"}],"predecessor-version":[{"id":2345,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1091\/revisions\/2345"}],"wp:attachment":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1091"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}