{"id":1145,"date":"2012-04-12T18:47:07","date_gmt":"2012-04-12T16:47:07","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1145"},"modified":"2014-09-03T09:14:14","modified_gmt":"2014-09-03T07:14:14","slug":"astrologie-le-miroir-de-la-vie-de-jean-gremillon-1952","status":"publish","type":"post","link":"http:\/\/philippelanglois.net\/lcd\/?p=1145","title":{"rendered":"ASTROLOGIE, LE MIROIR DE LA VIE de Jean Gr\u00e9millon (1952)"},"content":{"rendered":"<p>Le texte et l&#39;extrait vid&eacute;o ci-apr&egrave;s documentent l&#39;ouvrage de Philippe Langlois, <a href=\"http:\/\/philippelanglois.net\/lcd\/?p=1004\"><em>Les cloches d&#39;Atlantis, Musique &eacute;lectroacoustique et cin&eacute;ma, Arch&eacute;ologie et histoire d&#39;un art sonore,<\/em> <\/a>&eacute;ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" alt=\"\" height=\"441\" src=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/astrologie gre\u0301millon.png\" width=\"600\" \/><\/p>\n<p>Compos&eacute;e par Pierre Henry en &eacute;troite collaboration avec le r&eacute;alisateur, la musique d&rsquo;Astrologie constitue l&rsquo;aboutissement des recherches musicales formelles de Jean Gr&eacute;millon dans une volont&eacute; de fusionner bruits et musique. Cette approche cin&eacute;matographique profond&eacute;ment musicale, d&eacute;j&agrave; remarqu&eacute;e par Pierre Schaeffer en 1946, favorise la venue de Jean Gr&eacute;millon dans les studios de la rue de l&rsquo;Universit&eacute;. Il y a encore peu, l&rsquo;analyse des relations audiovisuelles &agrave; l&rsquo;&oelig;uvre dans Astrologie n&rsquo;&eacute;tait pas envisageable compte tenu de l&rsquo;&eacute;tat de conservation du film qui en interdisait le visionnage. Sa restauration, &agrave; l&rsquo;occasion du cycle de film Les films du Service de la Recherche de l&rsquo;ORTF que nous avons programm&eacute; au MAC\/VAL en janvier 2006, a permis une remise en circuit du film en copie neuve.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/N9T6YgycC30?rel=0\" width=\"480\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/YkU3R_qR4gw?rel=0\" width=\"480\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>extrait totalement in\u00e9dits sur une musique de Pierre Henry et Marius Constant<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[41,3,53,57,7,6],"tags":[15,115,27,112,28,16,24],"_links":{"self":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1145"}],"collection":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1145"}],"version-history":[{"count":5,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1145\/revisions"}],"predecessor-version":[{"id":1704,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1145\/revisions\/1704"}],"wp:attachment":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}