{"id":1184,"date":"2012-05-21T23:34:22","date_gmt":"2012-05-21T21:34:22","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1184"},"modified":"2022-10-20T21:28:43","modified_gmt":"2022-10-20T19:28:43","slug":"alone-life-waste-andy-hardy-de-martin-arnold-1998","status":"publish","type":"post","link":"http:\/\/philippelanglois.net\/lcd\/?p=1184","title":{"rendered":"ALONE LIFE WASTE ANDY HARDY de Martin Arnold (1998)"},"content":{"rendered":"<p>Le texte et l&rsquo;extrait vid\u00e9o ci-apr\u00e8s documentent l&rsquo;ouvrage de Philippe Langlois, <a href=\"http:\/\/philippelanglois.net\/lcd\/?p=1004\"><em>Les cloches d&rsquo;Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d&rsquo;un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" src=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Alone.jpg\" alt=\"\" width=\"256\" height=\"160\" \/><\/p>\n<p>En revisitant les classiques hollywoodiens par le biais de l\u2019\u00e9chantillonnage dans <em>Alone Life Wastes Andy Hardy<\/em> (1998), le cin\u00e9aste viennois Martin Arnold aborde la question de l\u2019appropriation et de la relecture. La proc\u00e9dure prolonge la technique de ses deux films pr\u00e9c\u00e9dents\u00a0: <em>Pi\u00e8ce touch\u00e9e<\/em> (1989) et <em>Passage \u00e0 l\u2019acte<\/em> (1993).<\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\">\u00a0<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alone. Life Wastes Andy Hardy (1998) - Full Soundtrack\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/GzP-L0akLEg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;art de l&rsquo;\u00e9chantillonnage audiovisuel g\u00e9n\u00e9ralis\u00e9<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[41,3,53,57,7,6,1],"tags":[119,138,16,109],"_links":{"self":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1184"}],"collection":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1184"}],"version-history":[{"count":6,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1184\/revisions"}],"predecessor-version":[{"id":2341,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/1184\/revisions\/2341"}],"wp:attachment":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}