{"id":2255,"date":"2018-07-10T23:42:00","date_gmt":"2018-07-10T21:42:00","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=2255"},"modified":"2022-11-01T21:32:17","modified_gmt":"2022-11-01T20:32:17","slug":"epigram-de-franck-bedrossian-image-dune-oeuvre","status":"publish","type":"post","link":"http:\/\/philippelanglois.net\/lcd\/?p=2255","title":{"rendered":"EPIGRAM, de Franck Bedrossian, (2018) Image d&rsquo;une \u0153uvre #24"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg\"><img loading=\"lazy\" width=\"900\" height=\"300\" src=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg\" alt=\"\" class=\"wp-image-2256\" srcset=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg 900w, http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3-300x100.jpg 300w, http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3-768x256.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n<p>Ce film s&rsquo;inscrit dans la s\u00e9rie documentaire \u00ab\u00a0I<em>mage d&rsquo;une oeuvre\u00a0\u00bb<\/em> produite par l&rsquo;Ircam qui vise \u00e0 documenter aujourd&rsquo;hui, tout le d\u00e9roulement du processus cr\u00e9atif d&rsquo;un compositeur ou d&rsquo;une compositrice confront\u00e9 \u00e0 l&rsquo;utilisation de la technologiz pour prolonger les enjeux artistiques et expressifs de son projet musical.<\/p>\n<p>Film r\u00e9alis\u00e9 par V\u00e9ronique Caye et Philippe Langlois sur la gen\u00e8se du triptyque Epigram de Franck Bedrossian.<\/p>\n<p>La cr\u00e9ation parisienne du troisi\u00e8me et dernier volet d\u2019Epigram cycle pour soprano et ensemble de Franck Bedrossian est l\u2019occasion de montrer dans ce 24e opus de la collection Images d\u2019une \u0153uvre de quelle mani\u00e8re l\u2019univers musical du compositeur Franck Bedrossian se m\u00eale avec celui de la po\u00e9tesse am\u00e9ricaine Emily Dickinson. Certains aspects de la po\u00e9sie de Dickinson, tels que la perte d\u2019identit\u00e9, l\u2019ambigu\u00eft\u00e9, ou encore une forme de violence qui n\u2019est pas n\u00e9cessairement une violence contenue mais une violence de la mobilit\u00e9 de l\u2019expression, semblent faire directement \u00e9cho \u00e0 sa musique ou bien est-ce \u00e0 l\u2019inverse, certains th\u00e8mes de sa musique qui anticipent sur la po\u00e9sie. Un voyage musical et po\u00e9tique sur lequel le film \u00ab images d\u2019une \u0153uvre Epigram \u00bb l\u00e8ve le voile.<\/p>\n<p><em>Epigram<\/em> de <strong>Franck Bedrossian<\/strong><br \/>pour soprano et ensemble<\/p>\n<p>Image, montage <strong>V\u00e9ronique Caye<\/strong><br \/>Son, mixage <strong>Ivan Gariel<\/strong><br \/>Coordination audiovisuelle Ircam <strong>Murielle Ducas<\/strong><br \/>Coproduction Ircam et Centre Pompidou<br \/>Avec l\u2019aimable autorisation de G\u00e9rard Billaudot Editeur SA<br \/>Extraits musicaux d\u2019Epigram<br \/>\u00a9 G\u00e9rard Billaudot Editeur SA<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Images d&#039;une \u0153uvre n\u00b024 : &quot;Epigram&quot; de Franck Bedrossian\" width=\"1600\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/usSsx658hSs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen title=\"Images d'une \u0153uvre n\u00b024 : \"Epigram\" de Franck Bedrossian\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ce film s&rsquo;inscrit dans la s\u00e9rie documentaire \u00ab\u00a0Image d&rsquo;une oeuvre\u00a0\u00bb produite par l&rsquo;Ircam qui vise \u00e0 documenter aujourd&rsquo;hui, tout le d\u00e9roulement du processus cr\u00e9atif d&rsquo;un compositeur ou d&rsquo;une compositrice confront\u00e9 \u00e0 l&rsquo;utilisation de la technologiz pour prolonger les enjeux artistiques et expressifs de son projet musical. Film r\u00e9alis\u00e9 par V\u00e9ronique Caye et Philippe Langlois sur [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[41,172,175,56],"tags":[115,178,152],"_links":{"self":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2255"}],"collection":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2255"}],"version-history":[{"count":4,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2255\/revisions"}],"predecessor-version":[{"id":2524,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2255\/revisions\/2524"}],"wp:attachment":[{"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2255"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}