{"id":224,"date":"2010-07-29T23:35:05","date_gmt":"2010-07-29T21:35:05","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?page_id=224"},"modified":"2026-11-09T21:28:42","modified_gmt":"2026-11-09T20:28:42","slug":"a-propos-du-site","status":"publish","type":"page","link":"https:\/\/philippelanglois.net\/lcd\/en\/les-cloches-datlantis\/a-propos-du-site\/","title":{"rendered":"About"},"content":{"rendered":"<section class=\"juke-hero rub-head\">\n<div class=\"wrap\">\n<nav class=\"crumbs\" aria-label=\"Breadcrumb\"><ol><li><a href=\"https:\/\/philippelanglois.net\/lcd\/en\/\">Home<\/a><\/li><li><a href=\"https:\/\/philippelanglois.net\/lcd\/en\/les-cloches-datlantis\/\">Les Cloches d\u2019Atlantis<\/a><\/li><li aria-current=\"page\">About<\/li><\/ol><\/nav>\n<h1><span>About<\/span><\/h1>\n<\/div>\n<\/section>\n\n\n<section class=\"wrap text-grid\">\n<div class=\"text-media\"><figure class=\"wp-block-image is-resized text-fig\"><img decoding=\"async\" fetchpriority=\"high\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/11\/221024-MF-Repercussions_cloches_cover-1.jpg\" alt=\"Couverture du livre Les Cloches d\u2019Atlantis.\" width=\"640\" height=\"1005\"\/><\/figure><\/div>\n\n<div class=\"prose\">\n<p class=\"prose-lead wp-block-paragraph translation-block\">This companion website illustrates the book <em>Les Cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma, arch\u00e9ologie et histoire d\u2019un art sonore<\/em>, published by <a href=\"http:\/\/www.editions-mf.com\/spip.php?page=sommaire\">\u00e9ditions mf<\/a>, through a wealth of audiovisual documentary resources: film excerpts, music, images and articles.<\/p>\n\n\n<h2 class=\"wp-block-heading\">Les Cloches d\u2019Atlantis<\/h2>\n\n\n<h3 class=\"wp-block-heading\">Electroacoustic music and cinema<\/h3>\n\n\n<p class=\"prose-text wp-block-paragraph\">It is to the history of sound inventions in cinema that this book invites us, at the crossroads of technology, music and cinema, in the wake of the most inventive composers and film-makers. From the sound systems of silent cinema to the manipulations of sound that derive from the use of the optical track, from fiction to documentary films, from animation to experimental films, a tenuous field of convergence takes shape, in which a form of prehistory of electroacoustic music emerges.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">These experiments, moreover, were not without influence on the approach of Pierre Schaeffer when he invented musique concr\u00e8te and gave concrete form to his project within the GRMC and the Service de la Recherche of the ORTF, which he directed until 1975.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">After the 1950s, electroacoustic music gained an ever more important place, to the point of blending entirely into the cinematic apparatus and feeding the main artistic currents of experimental cinema and auteur cinema.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">A completely new way of approaching the parallel and Underground history of electroacoustic music in cinema, the outcome of more than ten years of research.<\/p>\n\n\n<p class=\"wp-block-paragraph translation-block\">This companion website was made possible by the support of the Centre National du Livre, through <a href=\"http:\/\/www.centrenationaldulivre.fr\/?SUBVENTIONS-POUR-LA-CREATION-D-UNE#\">a grant for the creation of a multimedia edition or an innovative digital project.<\/a><\/p>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":314,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-224","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/pages\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":29,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/pages\/224\/revisions"}],"predecessor-version":[{"id":3040,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/pages\/224\/revisions\/3040"}],"up":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/pages\/314"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}