Philippe Langlois invites us to explore the history of sound inventions in cinema, at the crossroads of technology, music and cinema, in the wake of the most inventive composers and filmmakers.<\/p>\n
From the sound systems devised for silent cinema to the sound manipulations that stem from the use of the optical track, from fiction to documentary films, from animation to experimental films, a tenuous field of convergence takes shape in which a form of prehistory of electroacoustic music emerges.<\/p>\n
These experiments, moreover, were not without influence on the approach of Pierre Schaeffer when he invented musique concr\u00e8te and gave concrete form to his project within the GRMC and the Service de la Recherche of the ORTF, which he directed until 1975.<\/p>\n
After the 1950s, electroacoustic music gained an ever more important place, to the point of blending entirely into the cinematic apparatus and feeding the main artistic currents of experimental cinema and auteur cinema.<\/p>\n
A completely new way of approaching the parallel and Underground history of electroacoustic music in cinema, the outcome of more than ten years of research.<\/p>\n
C\u2019est \u00e0 l\u2019histoire des inventions sonores au cin\u00e9ma que nous convie Philippe Langlois, au croisement de la technique, de la musique et du cin\u00e9ma, dans le sillage des compositeurs et des cin\u00e9astes les plus inventifs. <\/p>\n
Des dispositifs de sonorisation du cin\u00e9ma muet aux manipulations du son qui d\u00e9coulent de l\u2019usage de la piste optique, de la fiction aux films documentaires, du cin\u00e9ma d\u2019animation aux films exp\u00e9rimentaux, un champ t\u00e9nu de convergence s\u2019\u00e9labore o\u00f9 se dessine une forme de pr\u00e9histoire des musiques \u00e9lectroacoustiques.<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1004","post","type-post","status-publish","format-standard","hentry","category-les-cloche-datlantis"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1004"}],"version-history":[{"count":32,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1004\/revisions"}],"predecessor-version":[{"id":1730,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1004\/revisions\/1730"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}