{"id":1053,"date":"2012-04-10T12:13:36","date_gmt":"2012-04-10T10:13:36","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1053"},"modified":"2022-10-27T15:18:33","modified_gmt":"2022-10-27T13:18:33","slug":"tonende-handschrift-de-rudolf-pfenninger-1931","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/tonende-handschrift-de-rudolf-pfenninger-1931\/","title":{"rendered":"TONENDE HANDSCHRIFT de Rudolf Pfenninger (1931)"},"content":{"rendered":"<p class=\"translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Pfenninger et les sons synthe\u0301tiques.jpg\" alt=\"\" width=\"300\" height=\"439\" \/><\/p>\n<p class=\"translation-block\"><em>T\u00f6nende Handschrift <\/em>can be considered a \u201cmanifesto film\u201d. The title, \u201chandwritten sound writing\u201d, also introduces, through a play on words, the notion of a \u201csound manuscript\u201d. This thirteen-minute short is a foundational film in the field of synthetic sound. <br>Made up of a first documentary part on the science of acoustics, <em>T\u00f6nende Handschrift<\/em> can be classed among the so-called \u201cscientific\u201d or \u201cdocumentary\u201d films, comprising in its first third a genuine didactic lesson in the physics of acoustics, enriched with a large number of synthetic sound examples. The commentary explains and illustrates in a simple manner the basic principles of acoustic physics: the speed of a wave in air and in water, the propagation of radio frequencies, the mechanism of recording and playback of the gramophone, sound frequency, waveform\u2026 The second part of the film takes place in Rudolf Pfenninger\u2019s workshop and rests on an interview conducted by the journalist Helmuth Renar. Finally, the last part shows and lets us hear an application of the principles set out in the interview.<\/p>\n<p>The film presented here, in German, is entirely unreleased <\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tonendehandschrift by Rudolf Pfenninger\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/bDwEpPFqQCo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"<p>film totalement in\u00e9dit qui constitue la premi\u00e8re exp\u00e9rience de synth\u00e8se optique<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[115,19,112,134,135,29],"class_list":["post-1053","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-documentaire","tag-experimentations-sonores","tag-inedit","tag-interviews","tag-pionniers-et-precurseurs","tag-synthese-optique"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1053"}],"version-history":[{"count":11,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1053\/revisions"}],"predecessor-version":[{"id":2395,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1053\/revisions\/2395"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}