{"id":1134,"date":"2012-04-11T19:07:10","date_gmt":"2012-04-11T17:07:10","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1134"},"modified":"2014-09-03T09:18:41","modified_gmt":"2014-09-03T07:18:41","slug":"remorques-de-jean-gremillon-1942","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/remorques-de-jean-gremillon-1942\/","title":{"rendered":"REMORQUES de Jean Gr\u00e9millon (1942)"},"content":{"rendered":"<p class=\"translation-block\">The text and the video excerpt below document Philippe Langlois\u2019s book, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"272\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/remorque affiche(1).jpg\" width=\"185\" \/><\/p>\n<p class=\"translation-block\">The soundtrack of Remorques is remarkable in several respects in terms of the integration of the different sound parameters: music, noises and speech, as in the storm scene at the beginning of the film.<br>\n\t\u201cThe rhythm is given by the soundtrack, which combines the breath of the storm and an orchestral \u2018off\u2019 music (\u2026) then the music disappears to make way for the noises of the boat, followed by thirty-two increasingly short shots of pistons rising and falling, over a very rhythmic crescendo of noises that illustrate the acceleration of the tug\u2019s pace (\u2026) The passage from one image to another obeys the rhythm of the music, which gives the impression of a perfect harmony between the mechanical world and the human world\u201d.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/eLv9BRsWw-U?rel=0\" width=\"480\"><\/iframe><\/p>\n<p>\n\tThe most accomplished example of this fusion of sound elements is very probably found in the final scene of Remorques, where four elements are mixed: the litany of the song of the departed, in spoken chorus, the music of Claude Roland-Manuel (based on the vocal scansion), the howling of the storm wind and, to conclude the film, the voice of Jean Gabin announcing the tug\u2019s departure (synchronised with the last line of the chorus on the word \u201csolitude\u201d).<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/gu0_cYLiP3w?rel=0\" width=\"480\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>une bande son qui fusionne les param\u00e8tres du son : musique paroles et bruitages<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[15,16,137],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema","tag-musique-de-film","tag-partition-sonore"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":3,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1708,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1708"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}