<\/p>\n
SOUNDWALK COLLECTIVE<\/p>\n
\tMEDEA<\/p>\n
\tsound work: Stephan Crasneanscki \u2013 Dug Winningham \u2013 Simone Merli \u2013 Kamran Sadeghi \u2013 Jake Harper On the occasion of the release of this book\/CD, the Soundwalk\u00a0 present Medea in a performance on 4 May 2012 at the centre Georges Pompidou:www.centrepompidou.fr<\/p>\n Medea is a sound journey around the Black Sea. A previously unreleased composition developed from recordings of radio waves as well as fragments of voices and sounds gleaned by the Soundwalk collective, during a two-month crossing on a sailing boat specially equipped for the occasion with scanners, microphones and long-range antennas. Medea touches on Turkey, Georgia, Russia, Crimea, Ukraine, Romania and Bulgaria, and proceeds as a sonic reading of this region of the world where beauty vibrates, bloody and dark \u2014 like the ancient Medea. Soundwalk<\/a> is an international artistic collective based in New York. \tSoundwalk has taken part in group exhibitions and given performances including: \u201cParis-Delhi-Bombay\u201d, Centre Georges Pompidou, Paris, 2011; \u201cLe Son du Nous\u201d, with Philippe Starck, Festival International Exit, Maison des Arts de Cr\u00e9teil, 2010; Museum of Contemporary Art, Naples; Villa Noailles, Hy\u00e8res, 2010; Singapour Art Museum, 2010; World Expo 2010, Shanghai; \u201cArt, Talks & Sensations\u201d, Abu Dhabi Art Fair, 2010. performance as part of the \u201cSpectacles vivants\u201d at the Centre Georges Pompidou, Paris, 4 May 2012.<\/p>\n The ZagZig<\/a> collection (edited by Frank Smith & Philippe Langlois) published by Dis Voir<\/a> is an editorial space for artists\u2019 books, which consists in making sound works exist in the form of books\/CDs in order to create genuine innovative art objects.<\/p>","protected":false},"excerpt":{"rendered":" Livre disque qui retrace deux mois de travers\u00e9e sur la Mer Noire<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,66,3,6,61],"tags":[18,23,68,111],"class_list":["post-1157","post","type-post","status-publish","format-standard","hentry","category-bibliotheque","category-collection-zagzig","category-featured","category-musee-du-son","category-salon-du-silence-et-de-l-ecoute","tag-creation-musicale","tag-creation-radiophonique","tag-dis-voir","tag-paysage-sonore"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1157"}],"version-history":[{"count":5,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1157\/revisions"}],"predecessor-version":[{"id":1703,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1157\/revisions\/1703"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\ttexts: Arthur Larrue
\n\tphotos: Stephan Crasneanscki
\n\t
\n\tsound excerpt from Medea
\n\thttp:\/\/soundcloud.com\/soundwalk-collective\/05-balaklava-medea<\/a><\/p>\n
\n\tThe book unfolds the sound composition of the CD included in this volume and brings together photographs by Stephan Crasneanscki and texts by Arthur Larrue.
\n\tTaken at nightfall, the photographs convey, in a particularly icy chiaroscuro, the fatal character of the regions explored.
\n\tThe texts, for their part, recount the stages of the sound creation in the form of a Journal de la Mer Noire, kept during the expedition.
\n\tTogether they invite immersion in a strange and disquieting universe.<\/p>\n<\/p>\n
\n\tSince 2000, Soundwalk, as a nomad of sound, ceaselessly undertaking improbable journeys, from the desolate land of Bessarabia as far as the Rub al Khali desert. By exploring and taking the sounds of the world around us, Soundwalk captures the fragments of a shifting reality to form singular sound compositions. Created by Stephan Crasneanscki, who lives and works in New York, Soundwalk received the \u201cAudie Award\u201d for its collaboration with Afrika Bambaataa in the Bronx as well as the \u201cDalton Pen Award\u201d for the Sonic Memorial Soundwalk made with Paul Auster, at Ground Zero, New York.<\/p>\n