{"id":1184,"date":"2012-05-21T23:34:22","date_gmt":"2012-05-21T21:34:22","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1184"},"modified":"2022-10-20T21:28:43","modified_gmt":"2022-10-20T19:28:43","slug":"alone-life-waste-andy-hardy-de-martin-arnold-1998","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/alone-life-waste-andy-hardy-de-martin-arnold-1998\/","title":{"rendered":"ALONE LIFE WASTE ANDY HARDY de Martin Arnold (1998)"},"content":{"rendered":"<p>The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Alone.jpg\" alt=\"\" width=\"256\" height=\"160\" \/><\/p>\n<p class=\"translation-block\">By revisiting Hollywood classics through sampling in <em>Alone Life Wastes Andy Hardy<\/em> (1998), the Viennese filmmaker Martin Arnold addresses the question of appropriation and re-reading. The procedure extends the technique of the two preceding films: <em>Pi\u00e8ce touch\u00e9e<\/em> (1989) and <em>Passage \u00e0 l\u2019acte<\/em> (1993).<\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\">\u00a0<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alone. Life Wastes Andy Hardy (1998) - Full Soundtrack\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/GzP-L0akLEg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"<p>L&rsquo;art de l&rsquo;\u00e9chantillonnage audiovisuel g\u00e9n\u00e9ralis\u00e9<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6,1],"tags":[119,138,16,109],"class_list":["post-1184","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","category-uncategorized","tag-cinema-experimental","tag-found-footage","tag-musique-de-film","tag-musique-experimentale"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1184"}],"version-history":[{"count":6,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1184\/revisions"}],"predecessor-version":[{"id":2341,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1184\/revisions\/2341"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}