{"id":1368,"date":"2012-11-13T08:36:10","date_gmt":"2012-11-13T07:36:10","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1368"},"modified":"2014-09-03T09:09:24","modified_gmt":"2014-09-03T07:09:24","slug":"pacific-231-de-jean-mitry-1949","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/pacific-231-de-jean-mitry-1949\/","title":{"rendered":"PACIFIC 231, de Jean Mitry (1949)"},"content":{"rendered":"<p class=\"translation-block\">The text and the video excerpt below document Philippe Langlois\u2019s book, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\">\n\t<img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"134\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/pacific Mitry.jpg\" width=\"201\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"translation-block\">Although clearly more formal and less poetic than Mikhail Tsekanusky\u2019s version, Jean Mitry\u2019s version of <em>Pacific 231<\/em> is nonetheless a model that draws its inspiration from the avant-garde cinema of the 1920s, like a vibrant homage to the filmmaker Abel Gance, for whom Mitry had a genuine admiration.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/Bw-DukkgAmk\" width=\"420\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>C\u00e9l\u00e8bre version de Jean Mitry en hommage au cin\u00e9ma d&rsquo;avant garde des ann\u00e9es 20 <\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6,56],"tags":[30,16,98],"class_list":["post-1368","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","category-musique-contemporaine","tag-film-experimental","tag-musique-de-film","tag-symphonie-industrielle"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1368"}],"version-history":[{"count":2,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1368\/revisions"}],"predecessor-version":[{"id":1692,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1368\/revisions\/1692"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}