{"id":1408,"date":"2012-11-22T21:13:24","date_gmt":"2012-11-22T20:13:24","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1408"},"modified":"2022-11-01T13:12:52","modified_gmt":"2022-11-01T12:12:52","slug":"fautrier-lenrage-de-philippe-baraduc-1964","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/fautrier-lenrage-de-philippe-baraduc-1964\/","title":{"rendered":"FAUTRIER L&rsquo;ENRAGE de Philippe Baraduc (1964)"},"content":{"rendered":"<p class=\"wp-block-paragraph\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Fautrier.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Drawing on a text by Jean Paulhan entitled <em>Fautrier l\u2019enrag\u00e9<\/em>, Philippe Baraduc offers with this television essay an overview of the work and personality of Jean Fautrier, painter of \u201cArt informel\u201d. Juxtaposing canvases and images of natural elements together with an interview conducted by Jean Paulhan, Baraduc shows how Fautrier\u2019s painting, rather than a representation of the concrete, is an attempt, at the limit of abstraction, to suggest its depth. Art informel and abstract art are paradoxically brought closer here to figurative art, in the sense that, seen through a microscope, reality can merge with the abstract, where art informel would be a trap for catching reality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Anxious to illustrate the aesthetic remarks made in this film, whose reflection bears above all on the specificities of Jean Fautrier\u2019s work and on the abstract character of the reality at work in his paintings, Fran\u00e7ois Bayle chooses to borrow only instrumental sonorities.<br>Concrete sounds are therefore set aside on the occasion of this film score to make room for traditional instruments. Even so, one can speak more of an almost abstract instrumental matter, so much do the articulations, the superpositions and the playing modes recall the empiricism of concrete composition.<br>With this attempt to transpose the techniques of concrete composition to instrumental music, Fran\u00e7ois Bayle belongs to the tendency that drove the composers of the Groupe de Recherches Musicales, such as Philippe Carson and Ivo Malec, at the same period.<\/p>\n\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00828\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>Portrait du peintre Jean Fautrier sur une musique de Fran\u00e7ois Bayle<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[115,27,112,16,24],"class_list":["post-1408","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-documentaire","tag-grm","tag-inedit","tag-musique-de-film","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1408"}],"version-history":[{"count":7,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1408\/revisions"}],"predecessor-version":[{"id":2422,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1408\/revisions\/2422"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}