{"id":1439,"date":"2012-11-25T22:50:32","date_gmt":"2012-11-25T21:50:32","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1439"},"modified":"2022-10-28T15:34:23","modified_gmt":"2022-10-28T13:34:23","slug":"electrorythmes-danse-de-peter-foldes-1968","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/electrorythmes-danse-de-peter-foldes-1968\/","title":{"rendered":"ELECTRORYTHMES DANSE de Peter Fold\u00e8s (1968)"},"content":{"rendered":"<p>The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Electrorythmes.jpg\" alt=\"\" width=\"317\" height=\"208\" \/><\/p>\n<p class=\"translation-block\">Taking up the main theme of Peter Fold\u00e8s\u2019s films, the idea of the transformation of the iconic image of woman, the film scores that Bernard Parmegiani composes for Fold\u00e8s are each time an occasion to cross electroacoustic music with other genres, notably the popular music of the period: pop music in <em>Je tu elles<\/em> (1967), which materialises in his catalogue as <em>Pop Eclectic<\/em> (1968), Jazz in <em>ElectroRythmes<\/em> (1966),<em> Jazzex<\/em> composed the same year,<\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif;\">After cutting, chopping up, assembling and then editing the various fragments of the improvisation of a jazz trio, Bernard Parmegiani imagined an arch form, figured by the use of a powerful frequency-band filter of the Krohn-Hite make. <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif;\">At the beginning and at the end of the piece, the jazz trio seems to emerge from, and disappear totally into, the depths of a low-frequency filtering. The keystone of this symmetrical form is revealed gradually and corresponds briefly to the moment when the filter no longer has any effect and lets the whole bandwidth of the jazz trio be heard, before tipping slowly once more towards the low register.<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif;\">The articulations in the editing of the music are punctuated by interventions of concrete elements, the rubbing of metal and other electronic textures.<\/span><\/p>\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00853\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sur une musique de Bernard Parmegiani<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[119,27,112,16,49,131],"class_list":["post-1439","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema-experimental","tag-grm","tag-inedit","tag-musique-de-film","tag-musique-electroacoustique","tag-television"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1439"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1439\/revisions"}],"predecessor-version":[{"id":2415,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1439\/revisions\/2415"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}