{"id":151,"date":"2011-07-29T12:21:36","date_gmt":"2011-07-29T10:21:36","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=151"},"modified":"2014-09-03T10:18:30","modified_gmt":"2014-09-03T08:18:30","slug":"lalchimie-des-formes-poetiques","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/lalchimie-des-formes-poetiques\/","title":{"rendered":"L&rsquo;ALCHIMIE DES FORMES POETIQUES"},"content":{"rendered":"<p class=\"translation-block\">The texts below document Philippe Langlois\u2019s book, <em><a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\">Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore<\/a>,<\/em> \u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p class=\"translation-block\">As part of the \u201cPyrotechnics\u201d retrospective held at the Auditorium du Louvre during the month of March 2003, a revival was given of the performance by <a href=\"http:\/\/www.koener.de\/\">Thomas K\u00f6ner<\/a> and <a href=\"http:\/\/www.lightcone.org\/fr\/cineaste-260-jurgen-reble.html\">J\u00fcrgen Reble,<\/a> Alchemy, created in this venue ten years earlier, in 1992.<\/p>\n<p class=\"translation-block\">Article published in <a href=\"http:\/\/www.musicafalsa.com\/couvert.php3\">Musica Falsa, Musique, Art, Philosophie<\/a> no. 18 in spring 2003.<\/p>\n<p class=\"translation-block\">To access the full article in PDF : <a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2011\/07\/Lalchimie-des-formes-potiques.pdf\">The alchemy of poetic forms<\/a><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"212\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Instabile Materie (1).jpg\" width=\"318\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Article \u00e0 propos d&rsquo;Alchemy, performance cin\u00e9matographique de Thomas K\u00f6ner et J\u00fcrgen Reble.<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,7,6],"tags":[15,112,16,49,125],"class_list":["post-151","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-les-cloche-datlantis","category-musee-du-son","tag-cinema","tag-inedit","tag-musique-de-film","tag-musique-electroacoustique","tag-performance"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":12,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/151\/revisions\/1794"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}