{"id":1578,"date":"2013-11-19T16:39:03","date_gmt":"2013-11-19T15:39:03","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1578"},"modified":"2015-02-24T12:09:02","modified_gmt":"2015-02-24T11:09:02","slug":"begone-dull-care-de-norman-mc-laren-1949","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/begone-dull-care-de-norman-mc-laren-1949\/","title":{"rendered":"BEGONE DULL CARE, Norman Mc Laren (1949)"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"182\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Begone dull care Mc Laren 49.jpg\" width=\"250\" \/><\/p>\n<p class=\"translation-block\">In his quest to see what we hear and hear what we see, Norman Mc Laren made <em>Begone dull Care<\/em> in 1949, one of the finest examples of visual music fashioned directly from the material, the film stock, using \u201cDirect Film\u201d techniques: adding paint to transparent film stock, and scratching away successive layers of colour on the film. This film displays audiovisual complementarity in the most virtuoso manner possible and is one of the most incredible films in the field of visual music.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/svD0CWVjYRY\" width=\"420\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Un chef d&rsquo;\u0153uvre de musique visuelle&#8230;<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[11,155,127,12],"class_list":["post-1578","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema-danimation","tag-musique-visuelle","tag-peinture","tag-synesthesie"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=1578"}],"version-history":[{"count":7,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1578\/revisions"}],"predecessor-version":[{"id":2024,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/1578\/revisions\/2024"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=1578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=1578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=1578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}