{"id":2255,"date":"2018-07-10T23:42:00","date_gmt":"2018-07-10T21:42:00","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=2255"},"modified":"2022-11-01T21:32:17","modified_gmt":"2022-11-01T20:32:17","slug":"epigram-de-franck-bedrossian-image-dune-oeuvre","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/epigram-de-franck-bedrossian-image-dune-oeuvre\/","title":{"rendered":"EPIGRAM, de Franck Bedrossian, (2018) Image d&rsquo;une \u0153uvre #24"},"content":{"rendered":"<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"300\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg\" alt=\"\" class=\"wp-image-2256\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3.jpg 900w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3-300x100.jpg 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/IMO24-copie-3-768x256.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n<p class=\"translation-block\">This film is part of the documentary series \u201cI<em>mage d\u2019une oeuvre\u201d<\/em> produced by Ircam, which aims to document today the whole unfolding of the creative process of a composer confronted with the use of technology to extend the artistic and expressive stakes of their musical project.<\/p>\n<p>Film directed by V\u00e9ronique Caye and Philippe Langlois on the genesis of the triptych Epigram by Franck Bedrossian.<\/p>\n<p>The Paris premiere of the third and final part of Epigram, a cycle for soprano and ensemble by Franck Bedrossian, is an opportunity to show, in this 24th opus of the collection Images d\u2019une \u0153uvre, how the musical universe of the composer Franck Bedrossian blends with that of the American poet Emily Dickinson. Certain aspects of Dickinson\u2019s poetry, such as the loss of identity, ambiguity, or a form of violence that is not necessarily a contained violence but a violence of the mobility of expression, seem to echo his music directly, or else it is, conversely, certain themes of his music that anticipate the poetry. A musical and poetic journey that the film \u201cimages d\u2019une \u0153uvre Epigram\u201d unveils.<\/p>\n<p class=\"translation-block\"><em>Epigram<\/em> by <strong>Franck Bedrossian<\/strong><br>for soprano and ensemble<\/p>\n<p class=\"translation-block\">Image, editing <strong>V\u00e9ronique Caye<\/strong><br>Sound, mixing <strong>Ivan Gariel<\/strong><br>Ircam audiovisual coordination <strong>Murielle Ducas<\/strong><br>Co-production Ircam and Centre Pompidou<br>With the kind permission of G\u00e9rard Billaudot Editeur SA<br>Musical excerpts from Epigram<br>\u00a9 G\u00e9rard Billaudot Editeur SA<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Images d&#039;une \u0153uvre n\u00b024 : &quot;Epigram&quot; by Franck Bedrossian\" width=\"1600\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/usSsx658hSs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen epigram\"de franck bedrossian\"><\/iframe>\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"<p>Ce film s&rsquo;inscrit dans la s\u00e9rie documentaire \u00ab\u00a0Image d&rsquo;une oeuvre\u00a0\u00bb produite par l&rsquo;Ircam qui vise \u00e0 documenter aujourd&rsquo;hui, tout le d\u00e9roulement du processus cr\u00e9atif d&rsquo;un compositeur ou d&rsquo;une compositrice confront\u00e9 \u00e0 l&rsquo;utilisation de la technologiz pour prolonger les enjeux artistiques et expressifs de son projet musical. Film r\u00e9alis\u00e9 par V\u00e9ronique Caye et Philippe Langlois sur [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,172,175,56],"tags":[115,178,152],"class_list":["post-2255","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-creations","category-films","category-musique-contemporaine","tag-documentaire","tag-ircam","tag-musique-contemporaine-2"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=2255"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2255\/revisions"}],"predecessor-version":[{"id":2524,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2255\/revisions\/2524"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=2255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=2255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=2255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}