{"id":2304,"date":"2017-09-22T11:50:00","date_gmt":"2017-09-22T09:50:00","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=2304"},"modified":"2022-11-01T14:18:19","modified_gmt":"2022-11-01T13:18:19","slug":"le-film-de-limpossible-de-frank-smith-2017","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/le-film-de-limpossible-de-frank-smith-2017\/","title":{"rendered":"(2017) LE FILM DE L&rsquo;IMPOSSIBLE de Frank Smith"},"content":{"rendered":"<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png\"><img loading=\"lazy\" decoding=\"async\" width=\"980\" height=\"883\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png\" alt=\"\" class=\"wp-image-2305\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png 980w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image-300x270.png 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image-768x692.png 768w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/a><\/figure>\n\n\n<div id=\"cc-m-6733136861\" class=\"j-module n j-text\">\n<p><em><strong>LE FILM DE L\u2019IMPOSSIBLE<\/strong><\/em><\/p>\n<p>A film written and directed by Frank Smith<\/p>\n<p class=\"translation-block\">Two series alternate on the image track of <em>Le Film de l\u2019impossible<\/em>.<\/p>\n<p class=\"translation-block\">First, a dialogued reading between Fran\u00e7ois Bonenfant and Frank Smith takes place within the framework of the piece-installation <em>Un lieu-comme-\u0153uvre. \u2014<\/em> \u201ca place of art\u201d conceived by Fran\u00e7ois Laroche-Vali\u00e8re at the Th\u00e9\u00e2tre L\u2019\u00e9changeur, Bagnolet. This exchange attempts to define what a film entitled <em>Le Film de l\u2019impossible<\/em> might be. It deals with the status of the image in cinema, that of representation, of present-day politics \u2014 irreconcilable \u2014 and of the need to recompose today a new \u201cthinking of the image\u201d \u2014 still impossible.<\/p>\n<p>In counterpoint, images unfold that were shot in the white desert of the Chott-El-J\u00e9rid (Tunisia), made up of uniform elements \u2014 sky, earth, mirages \u2014 through shots constantly identical to themselves, in which the camera turns on its axis through 360 degrees.&nbsp;<\/p>\n<p>The film would be made at the same time as it is filmed.<\/p>\n<p><\/p>\n<p>With\u00a0Fran\u00e7ois Bonenfant et Frank Smith<\/p>\n<p class=\"translation-block\">Situations \u2014 <em>Un lieu-comme-\u0153uvre.<\/em> Fran\u00e7ois Laroche-Vali\u00e8re<\/p>\n<p>Image and editing\u00a0Arnold Pasquier<\/p>\n<p>Sound\u00a0Marc Parazon<\/p>\n<p>Mixing Ivan Gariel<\/p>\n<p>Music Philippe Langlois<\/p>\n<p><\/p>\n<p>Thanks to Marianne Catzaras, G\u00e9raldine Gomez, Thomas Peyres, Barbara Polla, Ali Quarimi, Camille Trastour, Eduardo Williams<\/p>\n<p><\/p>\n<p>Production Les films du Zigzag, September\u00a02017<\/p>\n<p class=\"translation-block\">In association with the Centre Pompidou \/ Hors<em> Piste<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>LE FILM DE L&rsquo;IMPOSSIBLE Un film \u00e9crit et r\u00e9alis\u00e9 par Frank Smith Sur la bande-image du Film de l\u2019impossible alternent deux s\u00e9ries. Premi\u00e8rement, une lecture dialogu\u00e9e entre Fran\u00e7ois Bonenfant et Frank Smith se tient dans le cadre de la pi\u00e8ce-dispositif Un lieu-comme-\u0153uvre. \u2014 \u00ab&nbsp;un lieu d\u2019art&nbsp;\u00bb con\u00e7u par Fran\u00e7ois Laroche-Vali\u00e8re au Th\u00e9\u00e2tre L\u2019\u00e9changeur, Bagnolet. Cet [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,172,174],"tags":[],"class_list":["post-2304","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-creations","category-musiques-de-films"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=2304"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2304\/revisions"}],"predecessor-version":[{"id":2477,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2304\/revisions\/2477"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=2304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=2304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=2304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}