{"id":2535,"date":"2024-04-03T14:48:00","date_gmt":"2024-04-03T12:48:00","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=2535"},"modified":"2024-05-04T03:57:17","modified_gmt":"2024-05-04T01:57:17","slug":"les-cloches-datlantis-nouvelle-edition-augmentee-et-corrigee-aux-editions-mf","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/les-cloches-datlantis-nouvelle-edition-augmentee-et-corrigee-aux-editions-mf\/","title":{"rendered":"LES CLOCHES D&rsquo;ATLANTIS, MUSIQUE ELECTROACOUSTIQUE ET CINEMA, nouvelle \u00e9dition, augment\u00e9e et corrig\u00e9e, \u00e9ditions mf"},"content":{"rendered":"<p class=\"wp-block-paragraph\">This book, published in November 2022, is the new edition, in a new layout, revised and expanded, of the work originally published in 2012.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:55% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1013\" height=\"1024\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34-1013x1024.png\" alt=\"\" class=\"wp-image-2686 size-full\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34-1013x1024.png 1013w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34-297x300.png 297w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34-768x777.png 768w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34-1519x1536.png 1519w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2023\/11\/Capture-de\u0301cran-2023-11-30-a\u0300-18.41.34.png 1960w\" sizes=\"auto, (max-width: 1013px) 100vw, 1013px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left wp-block-paragraph translation-block\"><a href=\"https:\/\/www.editions-mf.com\/produit\/122\/9782378040512\/les-cloches-d-atlan\" data-type=\"URL\" data-id=\"https:\/\/www.editions-mf.com\/produit\/122\/9782378040512\/les-cloches-d-atlan\" target=\"_blank\" rel=\"noreferrer noopener\">Click here to buy this book<\/a>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>ERRATUM<\/strong>: An error has been detected in the page references of the index of names and films cited. To find each page reference, subtract 2 from the page number given. For example, for Ana\u00efs Nin, indicated on page 354, look at page 352; for the film <em>Bells of Atlantis<\/em> by Ian Hugo, indicated on page 36, turn to page 34.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This will be corrected in the next expanded edition.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cMusic (\u2026) is, less than anything, tied to reality. Were it tied to it, it would be without ideology, mechanically, through a hollow sound without association. And yet music, as if by miracle, penetrates to the depths of the soul. What is it in us that resonates to noise, once it has become harmony? And transforms it into a source of extreme voluptuousness that unites us and overwhelms us.\u201d Andre\u00ef Tarkovski, <em>Stalker<\/em>, (1979)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tarkovski, Stalker, music\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/fBcCDsJwznM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The book comes in 24 different copies, like the 24 frames per second of the running of cinematic images, with as many bookmarks, representing Rudolf Pfenninger\u2019s synthetic sounds, printed on transparent Rhodo\u00efd. <\/p>\n\n\n\n<figure class=\"wp-block-embed-pdf-viewer-pdf wp-block-embed-pdf-viewer-pdf__content-wrapper aligncenter\"><object class=\"embed-pdf-viewer\" data=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/11\/220315-MF-Repercussions_bookmark_cloches.pdf#scrollbar=1&amp;toolbar=1\" type=\"application\/pdf\" height=\"983\" width=\"983\" title=\"\"><\/object><iframe loading=\"lazy\" class=\"embed-pdf-viewer\" src=\"https:\/\/docs.google.com\/viewer?url=http%3A%2F%2Fphilippelanglois.net%2Flcd%2Fwp-content%2Fuploads%2F2022%2F11%2F220315-MF-Repercussions_bookmark_cloches.pdf&amp;embedded=true\" frameborder=\"0\" height=\"983\" width=\"983\" title=\"\"><\/iframe><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">  <\/p>","protected":false},"excerpt":{"rendered":"<p>Ce livre, paru en novembre 2022, est la nouvelle \u00e9dition dans sa nouvelle mise en page, revue et augment\u00e9e de l&rsquo;ouvrage initialement paru en 2012. Cliquez ici pour acheter ce livre : ERRATUM : Une erreur a \u00e9t\u00e9 d\u00e9tect\u00e9e dans le renvoi de pagination de l&rsquo;index des noms et des films cit\u00e9s. Pour retrouver chaque [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,176],"tags":[],"class_list":["post-2535","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-publication"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=2535"}],"version-history":[{"count":85,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2535\/revisions"}],"predecessor-version":[{"id":2877,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/2535\/revisions\/2877"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=2535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=2535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=2535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}