{"id":3088,"date":"2026-11-10T21:25:52","date_gmt":"2026-11-10T20:25:52","guid":{"rendered":"https:\/\/philippelanglois.net\/lcd\/?p=3088"},"modified":"2026-11-10T21:32:33","modified_gmt":"2026-11-10T20:32:33","slug":"2022-et-netre-que-brume-de-natacha-nisic","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/2022-et-netre-que-brume-de-natacha-nisic\/","title":{"rendered":"(2022) Et n&rsquo;\u00eatre que brume, de Natacha Nisic"},"content":{"rendered":"<p class=\"wp-block-paragraph\">14\u2032, HD Stereo,&nbsp; performance film, 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Et n\u2019\u00eatre que brume\u201d \u2013 and be nothing but mist \u2013 sets the experimental stage for an improvisation in the tower of the town of Malakoff. The screen of smoke frees the emotions, as memories, torpor and desires lodge within the fog.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With Athenae Maso, Romain D\u00e9bat, Aur\u00e8le Parisis. Assitant Julia Denuneze\u00a0 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Set design Julia Marchand Sound Saul Gruenfeld <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mixing Jean-Yves Pouyat <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Music Philippe Langlois<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"294\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/Et-netre-que-brumes.png\" alt=\"\" class=\"wp-image-3091\" style=\"aspect-ratio:1.7857142857142858;width:525px;height:auto\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/Et-netre-que-brumes.png 525w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/Et-netre-que-brumes-300x168.png 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/Et-netre-que-brumes-18x10.png 18w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"296\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/et-netre-que-brumes-1.png\" alt=\"\" class=\"wp-image-3092\" style=\"aspect-ratio:1.7736486486486487;width:525px;height:auto\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/et-netre-que-brumes-1.png 525w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/et-netre-que-brumes-1-300x169.png 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/et-netre-que-brumes-1-18x10.png 18w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>14\u2032, HD Stereo,&nbsp; performance film, 2022 Et n\u2019\u00eatre que brume\u201d \u2013 and be nothing but mist \u2013 sets the experimental stage for an improvisation in the tower of the town of Malakoff. The screen of smoke frees the emotions, as memories, torpor and desires lodge within the fog. With Athenae Maso, Romain D\u00e9bat, Aur\u00e8le Parisis. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3091,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172,174],"tags":[119,30,16],"class_list":["post-3088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creations","category-musiques-de-films","tag-cinema-experimental","tag-film-experimental","tag-musique-de-film"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=3088"}],"version-history":[{"count":3,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3088\/revisions"}],"predecessor-version":[{"id":3093,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3088\/revisions\/3093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media\/3091"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=3088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=3088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=3088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}