{"id":3138,"date":"2026-11-11T02:20:52","date_gmt":"2026-11-11T01:20:52","guid":{"rendered":"https:\/\/philippelanglois.net\/lcd\/?p=3138"},"modified":"2026-11-11T02:40:08","modified_gmt":"2026-11-11T01:40:08","slug":"2026-horloge-metachrone-benoit-villemont","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/2026-horloge-metachrone-benoit-villemont\/","title":{"rendered":"(2026) Horloge m\u00e9tachrone, Beno\u00eet Villemont"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Biennale internationale du son au Mans du 17 au 25 janvier 2026, Sc\u00e8ne Nationale des Quinconces.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-1024x768.jpeg\" alt=\"\" class=\"wp-image-3140\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-1024x768.jpeg 1024w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-300x225.jpeg 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-768x576.jpeg 768w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-1536x1152.jpeg 1536w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-2048x1536.jpeg 2048w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1394-16x12.jpeg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cette installation sculpturale et sonore monumentale invite \u00e0 appr\u00e9hender le temps comme une mati\u00e8re plastique \u00e0 part enti\u00e8re. Essentiel \u00e0 nos soci\u00e9t\u00e9s, le temps \u00e0 longtemps \u00e9t\u00e9 senti, d\u00e9chiffr\u00e9, c\u00e9l\u00e9br\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Qu&rsquo;en est-il aujourd&rsquo;hui ? \u00c0 l&rsquo;heure o\u00f9 la seconde est devenu atomique, il semble que le temps soit devenu objet de vitesse, finance et pouvoir. Ici, vases de bronze chantants, robotique et architecture contemporaine entrent en harmonie dans un temps qui se d\u00e9ploie, en espace de libert\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;installation  invite \u00e0 appr\u00e9hender le temps comme une mati\u00e8re plastique \u00e0 part enti\u00e8re. Essentiel \u00e0 nos soci\u00e9t\u00e9s, le temps \u00e0 longtemps \u00e9t\u00e9 senti, d\u00e9chiffr\u00e9, c\u00e9l\u00e9br\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Qu&rsquo;en est-il aujourd&rsquo;hui ? A l&rsquo;heure o\u00f9 la seconde est devenu atomique, il semble que le temps soit devenu objet de vitesse, finance et pouvoir. Ici, vases de bronze chantants, robotique et architecture contemporaine entrent en harmonie dans un temps qui se d\u00e9ploie, en espace de libert\u00e9.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/883DB8D1-BAAA-4FF7-8C0E-680F0666D74A_1_105_c.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/883DB8D1-BAAA-4FF7-8C0E-680F0666D74A_1_105_c.jpeg\" alt=\"\" class=\"wp-image-3146\" style=\"width:485px;height:auto\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/883DB8D1-BAAA-4FF7-8C0E-680F0666D74A_1_105_c.jpeg 768w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/883DB8D1-BAAA-4FF7-8C0E-680F0666D74A_1_105_c-225x300.jpeg 225w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/883DB8D1-BAAA-4FF7-8C0E-680F0666D74A_1_105_c-9x12.jpeg 9w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Beno\u00eet Villemont est un artiste fondeur d&rsquo;art et musicien. Il vit et travaille en Creuse. \u00c0 la fin de son cursus d&rsquo;\u00e9tude aux Beaux-Arts du Mans, Beno\u00eet Villemont se passionne pour l&rsquo;art campanaire, dans une recherche traitant de la relation entre la forme et le son. C&rsquo;est dans ce contexte qu&rsquo;il fera la rencontre du bronze puis une ann\u00e9e plus tard de la fonderie d&rsquo;art \u00e0 la cire perdue aux Ateliers 960\u00b0 aux c\u00f4t\u00e9s du M.O.F Laurent Inquimbert et B.Cuffini.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2026\/11\/IMG_1400.mov\"><\/video><\/figure>","protected":false},"excerpt":{"rendered":"<p>Biennale internationale du son au Mans du 17 au 25 janvier 2026, Sc\u00e8ne Nationale des Quinconces. Cette installation sculpturale et sonore monumentale invite \u00e0 appr\u00e9hender le temps comme une mati\u00e8re plastique \u00e0 part enti\u00e8re. Essentiel \u00e0 nos soci\u00e9t\u00e9s, le temps \u00e0 longtemps \u00e9t\u00e9 senti, d\u00e9chiffr\u00e9, c\u00e9l\u00e9br\u00e9. Qu&rsquo;en est-il aujourd&rsquo;hui ? \u00c0 l&rsquo;heure o\u00f9 la seconde [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3140,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[173,39,6],"tags":[163,188,65,110],"class_list":["post-3138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installations","category-installations-sonores","category-musee-du-son","tag-art-contemporain","tag-cloches","tag-installation-sonore","tag-sculpture-sonore"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=3138"}],"version-history":[{"count":6,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3138\/revisions"}],"predecessor-version":[{"id":3148,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/3138\/revisions\/3148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media\/3140"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=3138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=3138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=3138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}