{"id":523,"date":"2011-11-26T13:17:06","date_gmt":"2011-11-26T12:17:06","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=523"},"modified":"2014-12-21T17:27:29","modified_gmt":"2014-12-21T16:27:29","slug":"radio-glaz-radio-oreille-de-dziga-vertov","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/radio-glaz-radio-oreille-de-dziga-vertov\/","title":{"rendered":"RADIO GLAZ (Radio oreille) de Dziga Vertov"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>\u201cThe Cine-Eye inseparable from the Radio-Ear. Let us be clear once more: the eye, the ear. The ear does not eavesdrop, the eye does not spy. A division of functions. Radio-Ear is the montage of the \u2018I hear\u2019. Cine-Eye is the montage of the \u2018I see\u2019. By proposing the fusion of cine-newsreels and radio-newsreels, it is confident of achieving: \u2018a parade of the kinoks on Red Square, should the Futurists publish the first issue of the radio-newsreels using montage\u2019 \u201d.<\/p>\n<p>\tSadoul, Georges, Actualit\u00e9s de Dziga Vertov, Paris, journal Cahiers du cin\u00e9ma no. 144, June 1963,<\/p>\n<p><img decoding=\"async\" alt=\"\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/L'homme a\u0300 la came\u0301ra l'oreille(1).jpg\" style=\"width: 540px; height: 430px;\" \/><\/p>\n<p class=\"translation-block\">Still from <em>Man with a Movie Camera<\/em> (1928) Rights reserved \u00a9 Lobster Film<\/p>","protected":false},"excerpt":{"rendered":"<p>Photogramme tir\u00e9 de L&rsquo;homme \u00e0 la Cam\u00e9ra (1928)<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,55,7,6,103],"tags":[100,159,107],"class_list":["post-523","post","type-post","status-publish","format-standard","hentry","category-featured","category-iconographie","category-les-cloche-datlantis","category-musee-du-son","category-salon-des-oreilles","tag-futurisme","tag-futurisme-russe","tag-oreille"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=523"}],"version-history":[{"count":14,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/523\/revisions"}],"predecessor-version":[{"id":1840,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/523\/revisions\/1840"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}