{"id":782,"date":"2012-01-03T23:13:23","date_gmt":"2012-01-03T22:13:23","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=782"},"modified":"2014-09-03T10:01:41","modified_gmt":"2014-09-03T08:01:41","slug":"etude-de-stage-reflets-de-ivo-malec-1961","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/etude-de-stage-reflets-de-ivo-malec-1961\/","title":{"rendered":"ETUDE DE STAGE : REFLETS de Ivo Malec (1961)"},"content":{"rendered":"<p class=\"translation-block\">The text and the video excerpt below document Philippe Langlois\u2019s book, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, Musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, 2012.<\/p>\n<p>Each young composer \/ trainee who frequents the musique concr\u00e8te studios must submit to the composition of a trainee study (\u00e9tude de stage), deliberately subject to the rules of fundamental research and to a compositional discipline established by Pierre Schaeffer, based on a preestablished score.<\/p>\n<p>The rules are as follows: a choice limited to the sounds defined by the Schaefferian typology, their use exclusively in the original form resulting from the recording and, finally, their distribution in time according to a rigorous master plan.<\/p>\n<p>Below, the preliminary unpublished score annotated in Ivo Malec's own hand.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"297\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Etude stage note comp.jpg\" width=\"500\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"316\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Etude stage 1 comp.jpg\" width=\"500\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"391\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Etude stage 2 comp.jpg\" width=\"500\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"308\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Etude stage 3 comp.jpg\" width=\"500\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"296\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Etude stage 4 comp.jpg\" width=\"500\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"translation-block\">From this master plan, Ivo Malec composes <em>Reflets<\/em> at the end of his first training course at the GRM in 1961.<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/NCj_wId4Zmw\" width=\"480\"><\/iframe><\/p>\n<p class=\"translation-block\">Below, exclusively: the totally unpublished facsimile of the manuscript score of <em>Reflets<\/em> by Ivo Malec, after the eponymous film by Piotr Kamler (1961).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"68\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets titre 3 comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"500\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets titre 2 comp.jpg\" width=\"347\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"411\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 1 comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"358\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 2 comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"375\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 3 comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"325\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets titre 4A comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"368\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 4 comp.jpg\" width=\"350\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"310\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 5 comp.jpg\" width=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"304\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/reflets 7 comp.jpg\" width=\"500\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>En exclusivit\u00e9 : la partition pr\u00e9alable et partition manuscrite. <\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,3,54,55,7,6,56,63],"tags":[18,27,112,28,24],"class_list":["post-782","post","type-post","status-publish","format-standard","hentry","category-bibliotheque","category-featured","category-extrait-sonore","category-iconographie","category-les-cloche-datlantis","category-musee-du-son","category-musique-contemporaine","category-oeuvres-graphiques","tag-creation-musicale","tag-grm","tag-inedit","tag-musique-concrete","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=782"}],"version-history":[{"count":17,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/782\/revisions"}],"predecessor-version":[{"id":1759,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/782\/revisions\/1759"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}