{"id":850,"date":"2012-01-11T11:30:45","date_gmt":"2012-01-11T10:30:45","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=850"},"modified":"2014-09-03T09:56:18","modified_gmt":"2014-09-03T07:56:18","slug":"lellipse-de-dominique-blais-2010","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/lellipse-de-dominique-blais-2010\/","title":{"rendered":"L&rsquo;ELLIPSE de Dominique Blais (2010)"},"content":{"rendered":"<p style=\"text-align: center;\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Ellipse.jpg\" style=\"width: 300px; height: 224px;\" \/><\/p>\n<p class=\"translation-block\">L\u2019ELLIPSE, 2010<br>\n\tSound installation<br>\n\t16 microphones, 16 stands, cables, wirefire sound card, computer program on DVD, Mac mini<br>\n\tVariable dimensions<br>\n\tEdition of 3 +1 AP<\/p>\n<p>\tThis sound setup is made up of microphones on stands forming a circle tilted in space. Each microphone is used as a loudspeaker to play back an audio sample and to produce a sequence that travels around an ellipse, more or less quickly, in space.<\/p>\n<p>Like a planet revolving around the sun, the setup produces circular cycles whose speed for completing a revolution varies through acceleration or deceleration. By reversing the process of diffusing a sound \u2013 using recording tools such as microphones instead of speakers \u2013 the setup creates a disturbance in the usual perception of sound-reinforcement equipment.<\/p>\n<p class=\"translation-block\">By reversing the process of diffusing a sound \u2013 using recording tools such as microphones instead of speakers \u2013 the setup creates a disturbance in the usual perception of sound-reinforcement equipment. The static sculptural aspect of this installation contrasts with the dynamics produced by the sounds, which simulate<br>\n\tthe movement of a circle at variable speed. Sober and minimalist, the set of microphones presents a suspended ellipse whose only movement is created by the displacement of sound.<\/p>\n<p class=\"translation-block\">The sound diffused comes from recordings made by the artist during a residency at Ny-Alesund (Svalbard, Norway), a scientific village considered the northernmost settlement on the planet. These VLF (Very Low Frequencies) are natural radio frequencies originating in the magnetosphere, which are harvested and brought back into the sphere of the audible.<br>\n\tThe passage of the sound, which appears as a crackle or a spark, evokes in its succession the idea of an infinite cycle.<\/p>\n<p style=\"text-align: center;\">\n\t<img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"268\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Ellipse 2.jpg\" width=\"400\" \/><\/p>\n<p class=\"translation-block\">Dominique Blais <br>\n\t<em>L\u2019Ellipse<br>\n\t<\/em> from 12 January to 3 February 2012<br>\n\topening Wednesday 11 January at 6 pm<\/p>\n<p><span class=\"Style23\">ECOLE SUPERIEURE D\u2019ART DU MANS<\/span><\/p>\n<p>Monday\u2013Friday: 1 pm to 7 pm \u2013 Saturday\u2013Sunday: 2 pm to 5 pm<\/p>","protected":false},"excerpt":{"rendered":"<p> installation sonore \u00e0 l&rsquo;Ecole Sup\u00e9rieure des Beaux-arts du Mans<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,39,6],"tags":[42,65,104],"class_list":["post-850","post","type-post","status-publish","format-standard","hentry","category-featured","category-installations-sonores","category-musee-du-son","tag-art-sonore","tag-installation-sonore","tag-oeuvre-dart"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=850"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/850\/revisions"}],"predecessor-version":[{"id":1751,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/850\/revisions\/1751"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}