{"id":874,"date":"2012-01-27T23:17:52","date_gmt":"2012-01-27T22:17:52","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=874"},"modified":"2022-10-28T15:21:31","modified_gmt":"2022-10-28T13:21:31","slug":"automne-de-mika-de-possel-1961","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/automne-de-mika-de-possel-1961\/","title":{"rendered":"AUTOMNE de Mika de Possel (1961)"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Automne 2.png\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This film evokes the season of autumn in a neo-Impressionist cinematic dimension, through the use of natural elements: the surfaces of ponds, soil, tree bark. The author is concerned not with the realistic aspect of these elements but with their relations of form or matter: circles in the water and a cross-section of a tree with the same concentric forms, the bringing together of the surfaces of water and grass. These relations are both brought out and exploited by a systematic use of superimposition. They are complemented by relations of natural movements: tree branches shaken by the wind, birds taking flight and camera movements.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The meeting of images and music in this film creates, by contrast, a higher level of reading, for beyond the beauty of the naturalistic images shown on screen, Fran\u00e7ois-Bernard Mache\u2019s subtle musique concr\u00e8te establishes a climate and a feeling of unease through the musicalised use of the sounds of trees cracking, recorded at the moment of felling and then looped, against a background of sawmills, crows\u2019 cries, chainsaw, wind, frogs and crushed leaves. More than a simple cinematic poem turned towards the contemplation of nature, the film seems to warn us of the dangers that hang over it because of human activity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production: Service de la Recherche de l\u2019ORTF, 1961<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Musique concr\u00e8te: Fran\u00e7ois-Bernard Mache<\/p>\n\n\n\n\n\n<figure class=\"wp-block-video\"><video height=\"480\" style=\"aspect-ratio: 640 \/ 480;\" width=\"640\" controls src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/10\/Automne-Mika-de-possa.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>Musique de Fran\u00e7ois-Bernard Mache<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[119,27,112,28,16,24],"class_list":["post-874","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema-experimental","tag-grm","tag-inedit","tag-musique-concrete","tag-musique-de-film","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=874"}],"version-history":[{"count":11,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/874\/revisions"}],"predecessor-version":[{"id":2407,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/874\/revisions\/2407"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}