{"id":896,"date":"2012-01-31T00:20:37","date_gmt":"2012-01-30T23:20:37","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=896"},"modified":"2022-11-01T13:52:19","modified_gmt":"2022-11-01T12:52:19","slug":"steinberg-de-peter-kassovitz-1964","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/steinberg-de-peter-kassovitz-1964\/","title":{"rendered":"STEINBERG de Peter Kassovitz (1964)"},"content":{"rendered":"<p class=\"translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Steinberg.png\" alt=\"\" width=\"300\" height=\"226\" \/><\/p>\n<p>A black-and-white animated film by Peter Kassovitz, father of Mathieu Kassovitz, made after the drawings of Saul Steinberg. From the draughtsman\u2019s original gesture \u2013 a simple stroke of the pen \u2013 a long tracking shot unfolds, revealing the fertile and delirious graphic imagination of the famous American draughtsman. The city and the urban universe are omnipresent in it: suspension bridges, harbour activities, power stations, public transport, multiplied and juxtaposed architecture, referring to a veritable mental geography which places man back at the heart of a reflection on the city in this immense humorous fresco.<\/p>\n<p class=\"translation-block\">Part of the \u201cBanc d\u2019essai\u201d series, this film is representative of the broad field of production that characterises the films of the Service de la Recherche, opening itself this time to the universe of the New York draughtsman Saul Steinberg, famous in the United States for his satirical drawings published in \u201cDessins\u201d, \u201cPasseport\u201d, \u201cArt of living\u201d and in \u201cThe New-Yorker\u201d. Beyond drawing, the film also opens onto Steinberg\u2019s calligraphic research, in which writing also takes on the value of drawing, notably in the opening credits, which stage improbable signatures at the various posts of the film.<br>The electroacoustic music of Bernard Parmegiani takes the side of illustration, adding sound effects, not without humour either and as close as possible to the image and the editing, a figuration of the image through the movement of forms within the frame.<br>This film received the CNC quality mention in 1964.<br>Production: Service de la recherche, 1964<br>Music by Bernard Parmegiani<\/p>\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00815\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>Film d&rsquo;animation  in\u00e9dit<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[15,11,27,28,49,24],"class_list":["post-896","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema","tag-cinema-danimation","tag-grm","tag-musique-concrete","tag-musique-electroacoustique","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=896"}],"version-history":[{"count":9,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/896\/revisions"}],"predecessor-version":[{"id":2453,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/896\/revisions\/2453"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}