{"id":901,"date":"2012-01-31T00:34:50","date_gmt":"2012-01-30T23:34:50","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=901"},"modified":"2022-11-01T13:30:42","modified_gmt":"2022-11-01T12:30:42","slug":"le-jabrebbock-de-claude-place-1964","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/le-jabrebbock-de-claude-place-1964\/","title":{"rendered":"LE JABREBBOCK de Claude Place (1964)"},"content":{"rendered":"<p class=\"translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Le jabrebbock.png\" alt=\"\" width=\"300\" height=\"225\" \/><\/p>\n<p>The Jabrebbock is a mythical figure who introduces confusion into language, jostles syllables and destroys the meaning of sentences. The text by Lewis CAROLL is first dictated to a pupil hard at work at the desk; the dictation ends with this solemn warning: \u201cmy son, beware the jabrebbock!\u201d \u2013 Then the text breaks loose over images of waters, of particles of matter convulsed by an immaterial wind: an entire dreamlike universe in which images and words no longer represent but evoke, and which ends with \u201cthe death of the jabrebbock!\u201d<\/p>\n<p class=\"translation-block\">This film marks a new orientation of the Service de la Recherche, which consisted in no longer simply broadcasting on air the experimental essays presenting the results of fundamental audiovisual research, but in including these essays in more conventional television formats for its audience. Hence the idea of materialising the ravings of the Jabrebbock from a text by Lewis CAROLL and a mysterious creature who can give free rein to audiovisual creation.<br>The music by Ivo MALEC is exclusively instrumental and reveals the composer\u2019s inclination for instrumental music, in which he in no way denies his past as a concrete musician, quite the contrary, by integrating into it principles of editing, alloys of timbre and sound morphologies directly inherited from concrete composition.<br>Production: Service de la Recherche de l\u2019ORTF, 1964<br>Music by Ivo Malec<\/p>\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00825\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>Musique d&rsquo;Ivo Malec<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[30,27,112,28,16,49,24],"class_list":["post-901","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-film-experimental","tag-grm","tag-inedit","tag-musique-concrete","tag-musique-de-film","tag-musique-electroacoustique","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=901"}],"version-history":[{"count":6,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/901\/revisions"}],"predecessor-version":[{"id":2436,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/901\/revisions\/2436"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}