{"id":925,"date":"2012-02-06T12:06:31","date_gmt":"2012-02-06T11:06:31","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=925"},"modified":"2022-10-21T18:45:08","modified_gmt":"2022-10-21T16:45:08","slug":"objets-animes-de-jacques-brissot-1960","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/objets-animes-de-jacques-brissot-1960\/","title":{"rendered":"OBJETS ANIMES de Jacques Brissot (1960)"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/objets anime\u0301s 2.png\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this film Jacques Brissot establishes a parallel between the traces left by the various objects that the painter Arman moves across his canvases, and those of natural moving phenomena (waves, falling scrap iron) that were filmed. The film stands as an apology for movement, rendered here by short editing pushed to the extreme. Certain alternations occur at the rate of one frame per shot, that is 1\/24th of a second.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Objets anim\u00e9s belongs to the series of films in which the image was edited to pre-existing music, and which at first inspired a \u201cstrong disapproval\u201d from Pierre Schaeffer, since it used Schaeffer\u2019s own Etude aux sons anim\u00e9s (made in particular from the sounds of a marble bouncing on a cymbal). Jacques Brissot had filmed \u201cthe manipulations of one of our painter comrades, Arman\u201d, working \u201cin dungarees\u201d, and also making \u201cnecklaces of marbles and coil springs dripping with ink\u201d roll across the paper. In short, Brissot uses the anecdotal effect of the origin of the sounds, and not \u201cthe internal logic of sound phenomena\u201d on which Schaeffer the composer had worked. But if \u201ceverything fitted\u201d, Schaeffer maintains, it is because \u201cthings, whether Image or Sound, speak the same language\u201d.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"480\" style=\"aspect-ratio: 640 \/ 480;\" width=\"640\" controls src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/10\/Objets-anime\u0301s-jacques-Brissot.mov\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>film \u00e0 partir des peintures d&rsquo;Arman sur une musique concr\u00e8te de Pierre Schaeffer <\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[119,27,28,16,49,24],"class_list":["post-925","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema-experimental","tag-grm","tag-musique-concrete","tag-musique-de-film","tag-musique-electroacoustique","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=925"}],"version-history":[{"count":8,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/925\/revisions"}],"predecessor-version":[{"id":2379,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/925\/revisions\/2379"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}