{"id":949,"date":"2012-02-06T17:35:26","date_gmt":"2012-02-06T16:35:26","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=949"},"modified":"2022-11-01T13:27:09","modified_gmt":"2022-11-01T12:27:09","slug":"949","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/949\/","title":{"rendered":"LA CHUTE D&rsquo;ICARE de G\u00e9rard Patris (1960)"},"content":{"rendered":"<p class=\"translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/La chute dIcare encore.jpg\" alt=\"\" width=\"400\" height=\"249\" \/><\/p>\n<p>A film of great abstract beauty, La chute d\u2019Icare offers a camera magnification of a concrete material, simple sand laid on a flat screen lit from behind, to reveal the changes of form and the movements of matter once placed in contact with the elements: water, fire, earth and air. Particular care was taken over the correspondence between sound and image: the compositions of the image (colours, nodes of density, movements) find, in astonishing fashion, their equivalent on the sonic plane in the music of Mireille Chamass.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" style=\"width: 611px; height: 297px;\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/partition audiovisuelle la chute icare.png\" alt=\"\" \/><\/p>\n<p>As with sound objects, the notion of the visual object rests on its representation in a decontextualised dimension, so that the object exists only by itself, without being attached to any causality whatsoever. This cinema of visual objects thus privileges close-ups of objects of nature, journeys to the centre of matter, and plays of light and colour capable of revealing a complete world to explore, and at bottom draws up the same project as musique concr\u00e8te.<\/p>\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00806\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>sur une musique de Mireille Chamass<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[119,27,112,28,16,49,24],"class_list":["post-949","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-cinema-experimental","tag-grm","tag-inedit","tag-musique-concrete","tag-musique-de-film","tag-musique-electroacoustique","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=949"}],"version-history":[{"count":12,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/949\/revisions"}],"predecessor-version":[{"id":2433,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/949\/revisions\/2433"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}