{"id":959,"date":"2012-02-07T09:21:38","date_gmt":"2012-02-07T08:21:38","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=959"},"modified":"2022-11-01T13:19:56","modified_gmt":"2022-11-01T12:19:56","slug":"jours-de-mes-annees-de-max-de-haas-1959","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/en\/jours-de-mes-annees-de-max-de-haas-1959\/","title":{"rendered":"JOURS DE MES ANNEES de Max de Haas (1959)"},"content":{"rendered":"<p class=\"translation-block\">The text and video excerpt below document the book by Philippe Langlois, <a href=\"https:\/\/philippelanglois.net\/lcd\/en\/?p=1004\"><em>Les cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma arch\u00e9ologie et histoire d\u2019un art sonore,<\/em> <\/a>\u00e9ditions mf, Paris, first quarter 2012.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" style=\"width: 316px; height: 204px;\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Jours de mes anne\u0301es.png\" alt=\"\" \/><\/p>\n<p>This experimental short film by the Dutch director Max de Haas evokes moments in the life of a man recreated by the magic of memory. Made from documents of varied provenance, the film is composed of several tableaux: the stages of the day and of life, between the joy and carefree spirit of youth, the cruelty of the world of work, the horror of war, and the final outcome set in perspective with the birth of a child, thus perpetuating the cycle of life. This assemblage of documents from diverse sources becomes the pretext for Bernard Parmegiani to imagine a collage music known as \u201cpatchwork music\u201d, an adequate musical correspondence thus composed from several sources: an original composition, barrel-organ extracts by Roy DE WAARD and a piece of music by Michel Legrand.<\/p>\n<p class=\"translation-block\">After a first collaboration with the GRMC (Groupe de Recherches et de musique concr\u00e8te) on the occasion of his film Maskerage \u2013 the first film, in 1950, to benefit from a musique concr\u00e8te score signed by Pierre Schaeffer \u2013 Max De Haas returns to the studios of musique concr\u00e8te to make the music of Jours de mes ann\u00e9es, alongside Bernard Parmegiani.<br>Even before beginning to compose his study from the training course in 1961, Bernard Parmegiani was therefore already confronted with sound creation for the image with this film by Max De haas. A passion that would never leave him, with more than eighty film scores listed in his catalogue.<\/p>\n<p>This film was awarded a prize at the Cannes festival in 1960, receiving the Honourable Mention.\u00a0<\/p>\n\n\n<iframe loading=\"lazy\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\"  scrolling=\"no\" src=\"https:\/\/fresques.ina.fr\/artsonores\/export\/player\/InaGrm00803\/wide?isAmalia=1\" width=\"620\" height=\"465\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This information notice was co-produced with INA\/GRM for the creation of the multimedia fresco \u2013 <a href=\"http:\/\/www.ina.fr\/fresques\/artsonores\/accueil\">Artsonores \u2013 L\u2019aventure \u00e9lectroacoustique<\/a>, in the category Films produced by the Service de la Recherche de l\u2019ORTF from 1950 to 1975.<\/p>","protected":false},"excerpt":{"rendered":"<p>premi\u00e8re musique de films de Bernard Parmegiani<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,57,7,6],"tags":[27,112,28,16,24],"class_list":["post-959","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-fiche-film","category-les-cloche-datlantis","category-musee-du-son","tag-grm","tag-inedit","tag-musique-concrete","tag-musique-de-film","tag-service-de-la-recherche"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/comments?post=959"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/959\/revisions"}],"predecessor-version":[{"id":2428,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/posts\/959\/revisions\/2428"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/media?parent=959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/categories?post=959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/en\/wp-json\/wp\/v2\/tags?post=959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}