{"id":2304,"date":"2017-09-22T11:50:00","date_gmt":"2017-09-22T09:50:00","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=2304"},"modified":"2022-11-01T14:18:19","modified_gmt":"2022-11-01T13:18:19","slug":"le-film-de-limpossible-de-frank-smith-2017","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/?p=2304","title":{"rendered":"(2017) LE FILM DE L&rsquo;IMPOSSIBLE de Frank Smith"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png\"><img loading=\"lazy\" width=\"980\" height=\"883\" src=\"http:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png\" alt=\"\" class=\"wp-image-2305\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image.png 980w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image-300x270.png 300w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/07\/image-768x692.png 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/><\/a><\/figure>\n\n\n<div id=\"cc-m-6733136861\" class=\"j-module n j-text \">\n<p><em><strong>LE FILM DE L&rsquo;IMPOSSIBLE<\/strong><\/em><\/p>\n<p>Un film \u00e9crit et r\u00e9alis\u00e9 par Frank Smith<\/p>\n<p>Sur la bande-image du <i>Film de l\u2019impossible<\/i> alternent deux s\u00e9ries.<\/p>\n<p>Premi\u00e8rement, une lecture dialogu\u00e9e entre Fran\u00e7ois Bonenfant et Frank Smith se tient dans le cadre de la pi\u00e8ce-dispositif <i>Un lieu-comme-\u0153uvre. \u2014<\/i> \u00ab&nbsp;un lieu d\u2019art&nbsp;\u00bb con\u00e7u par Fran\u00e7ois Laroche-Vali\u00e8re au Th\u00e9\u00e2tre L\u2019\u00e9changeur, Bagnolet. Cet \u00e9change tente de cerner ce que serait un film qui s\u2019intitule <i>Le Film de l\u2019impossible<\/i>. Il y est question du statut de l\u2019image au cin\u00e9ma, de celui de la repr\u00e9sentation, de la politique actuelle \u2014 irr\u00e9conciliable \u2014 et de la n\u00e9cessit\u00e9 de recomposer aujourd\u2019hui une nouvelle \u00ab&nbsp;pens\u00e9e de l\u2019image&nbsp;\u00bb \u2014 toujours impossible.&nbsp;<\/p>\n<p>En contrepoint, se d\u00e9ploient des images prises dans le d\u00e9sert blanc du Chott-El-J\u00e9rid (Tunisie), faites d\u2019\u00e9l\u00e9ments uniformes \u2014 ciel, terre, mirages \u2014, \u00e0 travers des plans constamment identiques \u00e0 eux-m\u00eames, o\u00f9 la cam\u00e9ra tourne sur son axe \u00e0 360 degr\u00e9s.&nbsp;<\/p>\n<p>Le film se ferait en m\u00eame temps qu\u2019il se filme.<\/p>\n<p><\/p>\n<p>Avec&nbsp;Fran\u00e7ois Bonenfant et Frank Smith<\/p>\n<p>Situations \u2014 <i>Un lieu-comme-\u0153uvre.<\/i> Fran\u00e7ois Laroche-Vali\u00e8re<\/p>\n<p>Image et montage&nbsp;Arnold Pasquier<\/p>\n<p>Son&nbsp;Marc Parazon<\/p>\n<p>Mixage Ivan Gariel<\/p>\n<p>Musique Philippe Langlois<\/p>\n<p><\/p>\n<p>Remerciements \u00e0 Marianne Catzaras, G\u00e9raldine Gomez, Thomas Peyres, Barbara Polla, Ali Quarimi, Camille Trastour, Eduardo Williams<\/p>\n<p><\/p>\n<p>Production Les films du Zigzag, septembre&nbsp;2017<\/p>\n<p>En association avec le Centre Pompidou \/ Hors<em> Piste<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>LE FILM DE L&rsquo;IMPOSSIBLE Un film \u00e9crit et r\u00e9alis\u00e9 par Frank Smith Sur la bande-image du Film de l\u2019impossible alternent deux s\u00e9ries. Premi\u00e8rement, une lecture dialogu\u00e9e entre Fran\u00e7ois Bonenfant et Frank Smith se tient dans le cadre de la pi\u00e8ce-dispositif Un lieu-comme-\u0153uvre. \u2014 \u00ab&nbsp;un lieu d\u2019art&nbsp;\u00bb con\u00e7u par Fran\u00e7ois Laroche-Vali\u00e8re au Th\u00e9\u00e2tre L\u2019\u00e9changeur, Bagnolet. Cet [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[41,172,174],"tags":[],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2304"}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2304"}],"version-history":[{"count":4,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2304\/revisions"}],"predecessor-version":[{"id":2477,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=\/wp\/v2\/posts\/2304\/revisions\/2477"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}