{"id":224,"date":"2010-07-29T23:35:05","date_gmt":"2010-07-29T21:35:05","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?page_id=224"},"modified":"2026-11-09T21:28:42","modified_gmt":"2026-11-09T20:28:42","slug":"a-propos-du-site","status":"publish","type":"page","link":"https:\/\/philippelanglois.net\/lcd\/les-cloches-datlantis\/a-propos-du-site\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"<section class=\"juke-hero rub-head\">\n<div class=\"wrap\">\n<nav class=\"crumbs\" aria-label=\"Fil d\u2019Ariane\"><ol><li><a href=\"https:\/\/philippelanglois.net\/lcd\/\">Accueil<\/a><\/li><li><a href=\"https:\/\/philippelanglois.net\/lcd\/les-cloches-datlantis\/\">Les Cloches d\u2019Atlantis<\/a><\/li><li aria-current=\"page\">\u00c0 propos<\/li><\/ol><\/nav>\n<h1><span>\u00c0 propos<\/span><\/h1>\n<\/div>\n<\/section>\n\n\n<section class=\"wrap text-grid\">\n<div class=\"text-media\"><figure class=\"wp-block-image is-resized text-fig\"><img decoding=\"async\" fetchpriority=\"high\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2022\/11\/221024-MF-Repercussions_cloches_cover-1.jpg\" alt=\"Couverture du livre Les Cloches d\u2019Atlantis.\" width=\"640\" height=\"1005\"\/><\/figure><\/div>\n\n<div class=\"prose\">\n<p class=\"prose-lead wp-block-paragraph\">Ce site compagnon vise \u00e0 illustrer l\u2019ouvrage <em>Les Cloches d\u2019Atlantis, musique \u00e9lectroacoustique et cin\u00e9ma, Arch\u00e9ologie et histoire d\u2019un art sonore<\/em> aux <a href=\"http:\/\/www.editions-mf.com\/spip.php?page=sommaire\">\u00e9ditions mf<\/a> \u00e0 travers de nombreuses ressources documentaires audiovisuelles, extraits de films, musiques, iconographie, articles.<\/p>\n\n\n<h2 class=\"wp-block-heading\">Les Cloches d\u2019Atlantis<\/h2>\n\n\n<h3 class=\"wp-block-heading\">Musique \u00e9lectroacoustique et cin\u00e9ma<\/h3>\n\n\n<p class=\"prose-text wp-block-paragraph\">C\u2019est \u00e0 l\u2019histoire des inventions sonores au cin\u00e9ma que nous convie cet ouvrage au croisement de la technique, de la musique et du cin\u00e9ma, dans le sillage des compositeurs et des cin\u00e9astes les plus inventifs. Des dispositifs de sonorisation du cin\u00e9ma muet aux manipulations du son qui d\u00e9coulent de l\u2019usage de la piste optique, de la fiction aux films documentaires, du cin\u00e9ma d\u2019animation aux films exp\u00e9rimentaux, un champ t\u00e9nu de convergence s\u2019\u00e9labore o\u00f9 se dessine une forme de pr\u00e9histoire des musiques \u00e9lectroacoustiques.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">Ces exp\u00e9riences ne sont, d\u2019ailleurs, pas sans influence sur la d\u00e9marche de Pierre Schaeffer lorsqu\u2019il invente la musique concr\u00e8te et qu\u2019il concr\u00e9tise sa d\u00e9marche au sein du GRMC et du Service de la Recherche de l\u2019ORTF qu\u2019il dirige jusqu\u2019en 1975.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">Apr\u00e8s les ann\u00e9es 50, les musiques \u00e9lectroacoustiques ne cessent de gagner une place de plus en plus importante jusqu\u2019\u00e0 se fondre totalement au sein du dispositif cin\u00e9matographique et irriguer les principaux courants artistiques du cin\u00e9ma exp\u00e9rimental et du cin\u00e9ma d\u2019auteur.<\/p>\n\n\n<p class=\"prose-text wp-block-paragraph\">Une mani\u00e8re totalement neuve d\u2019aborder l\u2019histoire parall\u00e8le et Underground des musiques \u00e9lectroacoustiques au cin\u00e9ma \u00e0 l\u2019issue d\u2019un travail de recherche de plus de dix ann\u00e9es.<\/p>\n\n\n<p class=\"wp-block-paragraph\">La r\u00e9alisation de ce site compagnon, a \u00e9t\u00e9 possible gr\u00e2ce au soutien du Centre National du Livre \u00e0 l\u2019aide d\u2019une <a href=\"http:\/\/www.centrenationaldulivre.fr\/?SUBVENTIONS-POUR-LA-CREATION-D-UNE#\">subvention pour la cr\u00e9ation d\u2019une \u00e9dition multim\u00e9dia ou d\u2019un projet num\u00e9rique innovant.<\/a><\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":314,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-224","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/pages\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":29,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/pages\/224\/revisions"}],"predecessor-version":[{"id":3040,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/pages\/224\/revisions\/3040"}],"up":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/pages\/314"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/media?parent=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}