{"id":1323,"date":"2012-10-17T02:00:47","date_gmt":"2012-10-17T00:00:47","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=1323"},"modified":"2024-10-25T23:31:50","modified_gmt":"2024-10-25T21:31:50","slug":"in-futurum-de-erwin-schulhoff-1919","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/in-futurum-de-erwin-schulhoff-1919\/","title":{"rendered":"IN FUTURUM de Erwin Schulhoff (1919)"},"content":{"rendered":"\n<p class=\"has-text-align-center wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4&rsquo;33\u00a0\u00bb de John Cage n&rsquo;est pas la seule ni la premi\u00e8re partition enti\u00e8rement \u00ab\u00a0silencieuse\u00a0\u00bb. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">33 ans avant 4&rsquo;33\u00a0\u00bb, dans <em>In Futurum<\/em> de Erwin Schullhoff, en 1919, troisi\u00e8me pi\u00e8ce tir\u00e9e des <em>5 pittoresques <\/em>opus 31 pour piano, la partition est uniquement constitu\u00e9e de signes musicaux qui repr\u00e9sentent les diff\u00e9rents silences. Le rythme de la main droite est \u00e0 7\/5 tandis que la main gauche joue sur un rythme \u00e0 7\/10 !  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Impossible \u00e0 jouer sinon dans le silence&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum-724x1024.jpg\" alt=\"\" class=\"wp-image-2857\" srcset=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum-724x1024.jpg 724w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum-212x300.jpg 212w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum-768x1086.jpg 768w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum-1086x1536.jpg 1086w, https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2024\/10\/Schulhoff-In-futurum.jpg 1131w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">from <em>Five Pittoresques for Piano<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Feuille de papier, 29, 5 X 21 cm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En voici une interpr\u00e9tation par Gerard Bouwhuis dans le concert donn\u00e9 par Ebony Band, le 25 April 2013 au   Muziekgebouw \u00e0 Amsterdam.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Erwin Schulhoff : In Futurum, Part III from 5 Pittoresken (1919)\" width=\"1600\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/FBfOG0D39eo?start=40&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Une partition de silence pr\u00e9coce<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6,56,63],"tags":[182,42,181,123,139],"class_list":["post-1323","post","type-post","status-publish","format-standard","hentry","category-featured","category-musee-du-son","category-musique-contemporaine","category-oeuvres-graphiques","tag-182","tag-art-sonore","tag-john-cage","tag-partition","tag-silence"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/1323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/comments?post=1323"}],"version-history":[{"count":8,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/1323\/revisions"}],"predecessor-version":[{"id":2861,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/1323\/revisions\/2861"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/media?parent=1323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/categories?post=1323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/tags?post=1323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}