{"id":151,"date":"2011-07-29T12:21:36","date_gmt":"2011-07-29T10:21:36","guid":{"rendered":"http:\/\/philippelanglois.net\/lcd\/?p=151"},"modified":"2014-09-03T10:18:30","modified_gmt":"2014-09-03T08:18:30","slug":"lalchimie-des-formes-poetiques","status":"publish","type":"post","link":"https:\/\/philippelanglois.net\/lcd\/lalchimie-des-formes-poetiques\/","title":{"rendered":"L&rsquo;ALCHIMIE DES FORMES POETIQUES"},"content":{"rendered":"<p>Les textes ci-apr&egrave;s documentent l&#39;ouvrage de Philippe Langlois, <em><a href=\"https:\/\/philippelanglois.net\/lcd\/?p=1004\">Les cloches d&#39;Atlantis, musique &eacute;lectroacoustique et cin&eacute;ma arch&eacute;ologie et histoire d&#39;un art sonore<\/a>,<\/em> &eacute;ditions mf, Paris, 1er trimestre 2012.<\/p>\n<p>Dans le cadre de la r&eacute;trospective &laquo;&nbsp;Pyrotechnics&nbsp;&raquo; qui s&rsquo;est tenu &agrave; l&rsquo;Auditorium du Louvre pendant le courant du mois de mars 2003, a &eacute;t&eacute; donn&eacute; une reprise de la performance de <a href=\"http:\/\/www.koener.de\/\" target=\"_blank\">Thomas K&ouml;ner<\/a> et <a href=\"http:\/\/www.lightcone.org\/fr\/cineaste-260-jurgen-reble.html\" target=\"_blank\">J&uuml;rgen Reble,<\/a> Alchemy, cr&eacute;e en ce lieu dix ans plus t&ocirc;t, en 1992.<\/p>\n<p>\tArticle paru dans <a href=\"http:\/\/www.musicafalsa.com\/couvert.php3\" target=\"_blank\">Musica Falsa, Musique, Art, Philosophie<\/a> n&deg;18 au printemps 2003.<\/p>\n<p>pour acc&eacute;der &agrave; l&#39;article complet en PDF : <a href=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/2011\/07\/Lalchimie-des-formes-po\u00e9tiques.pdf\">L&#39;alchimie des formes po&eacute;tiques<\/a><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"212\" src=\"https:\/\/philippelanglois.net\/lcd\/wp-content\/uploads\/Instabile Materie (1).jpg\" width=\"318\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article \u00e0 propos d&rsquo;Alchemy, performance cin\u00e9matographique de Thomas K\u00f6ner et J\u00fcrgen Reble.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,3,53,7,6],"tags":[15,112,16,49,125],"class_list":["post-151","post","type-post","status-publish","format-standard","hentry","category-auditorium","category-featured","category-extrait-video","category-les-cloche-datlantis","category-musee-du-son","tag-cinema","tag-inedit","tag-musique-de-film","tag-musique-electroacoustique","tag-performance"],"_links":{"self":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":12,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/posts\/151\/revisions\/1794"}],"wp:attachment":[{"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippelanglois.net\/lcd\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}