Jour de fête
Jacques Tati, 1948
The text and the video excerpt below document Philippe Langlois’s book, Les cloches d’Atlantis, Musique électroacoustique et cinéma, Archéologie et histoire d’un art sonore, éditions mf, Paris, 2012.

Numerous examples attest to this integration of noises into music, as for example the sounds of nature and of the tractor that fuse with Jean Yatove’s music after the credits of Jour de fête (1948) by Jacques Tati – after the 1961 sound re-editing on magnetic tape.