Water Walk

John Cage, 1959

Published on by Philippe Langlois

Image of the work Water Walk, John Cage, 1959.

In this video, John Cage appears on the very popular television programme I’ve Got A Secret, created in 1952.

The principle of this television game is to invite two participants per programme, sometimes in the presence of a guest star. Each player is invited to have the audience guess their “ secret ”, after whispering it in the host’s ear, while the description of the famous “ secret ” appears for the television viewers, superimposed on the screen. The audience is invited to guess this “ secret ”, either through its own questions or through those of the host. After a few minutes, the player gives, as far as possible, a demonstration of this “ secret ”.

John Cage, who is then teaching Experimental Composition at the New School in NYC, announces his secret: “ I’m going to perform one of my musical composition… / The instruments I will use are : / a Water Pitcher / an Iron Pïpe, a Goose Call / a Bottle of Wine / an Electric Mixer / a Whistle / a Sprinkling Can / Ice Cubes / 2 Cimbals / a Mechanical Fish / a Quail Call / a Rubber Duck / a Tape Recorder / A Vase of Roses / a Selzer Siphon / 5 Radios / a Bathtub / and A GRAND PIANO. ”

The host, who introduces Cage as “ one of the most controversial artistic figures of his time”, then proposes to skip the game of questions and answers and to offer him a free moment of television to give a “ demonstration ” of his compositional work, which he mistakenly calls “ experimental sound ”. Cage immediately corrects him, specifying: “ experimental music ”, before giving his own definition of music, made from “ sounds ” produced by a series of everyday objects – whose musicality he will have us discover through a performance of the piece Water Walk.

The score indicates to the performer a series of actions to be carried out in a given time, the numbers shown above the actions representing seconds.

Image of the work Water Walk, John Cage, 1959.

There follows a magnificent manifesto by Cage on the place of the spectator. The host warns: “ perhaps some listeners will not be able to bear your music… Perhaps some will even laugh at you”. And Cage replies: “ For me, laughter is comparable to tears ”.

Text by Christophe Kihm and Elie During, originally published on the WFMU blog.